VMEA 2025 Professional Development Conference

11/20/2025 - 11/22/2025
In-Person Event

Norfolk Waterside Marriott & Sheraton Hotels
235 E Main St
Norfolk, VA 23510

Come visit Alfred Music and MakeMusic, Inc. at booth #707 to take advantage of special booth discounts, meet your favorite authors, and see what's new!

Clinic Details

Thursday, November 20

3:00 pm – CST

Speeding Up the Learning Process by Creating Confident Sight-Readers

David Pope

Teaching musicians to become independent musicians is vital to individual students and the ensemble’s success. In this session, I will share strategies and scaffolding techniques that develop musicians’ abilities through skill isolation and multi-tasking by implementing rote exercises, printed materials, and technology naturally into rehearsals.

Friday, November 21

2:00 pm – CST

Flipping Your Daily Rehearsals to Increase Student Engagement & Ownership

David Pope

Creating a classroom where students are empowered is vital to high-level performances. In this session, attendees will learn how to create and implement behavior, engagement, and leadership expectations into rehearsals for both principal players and section musicians. I will also share various rehearsal strategies that reduce the teacher’s role during daily rehearsals and allow students to take over more of the rehearsal process. Shared strategies will show students how to identify and solve common performance issues in small groups, sectionals, and as a large ensemble. As a result, students at all ability levels will gain more independence and confidence through this process and learn to become their own teachers.


Clinician Details

David Pope

David Pope

David Pope serves an Associate Professor of Music Education at the Baldwin Wallace Conservatory of Performing Arts. He has presented string pedagogy clinics and his research at the European String Teachers Congress, the ASTA National Conference, The Midwest Clinic, and numerous regional/state conferences. He is the current String Research Journal editor and recently served as a co-author for Sound Orchestra and a co-editor for Teaching Music Through Performance in Orchestra (Vol. 4).